A Film That Crossed Cinematic Boundaries
A newly released Bollywood spy thriller, Dhurandhar, has ignited political debate in both India and Pakistan. While the film has performed strongly at the box office, its depiction of India-Pakistan tensions has drawn criticism for fuelling nationalism and reviving sensitive historical wounds. Released amid already strained relations between the two nuclear-armed neighbours, the timing of the film has further intensified reactions.
Plot Rooted in Espionage and Conflict
Directed by Aditya Dhar, Dhurandhar stars Ranveer Singh as an Indian intelligence officer on a covert mission in Pakistan. The story revolves around India’s Research and Analysis Wing (R&AW) and follows a high-risk operation targeting alleged terror networks. Packed with violence, dramatic confrontations, and political symbolism, the film adopts a classic spy-versus-enemy narrative, presenting Pakistan largely through the lens of crime and militancy.
Backlash Over Portrayal of Pakistan
Despite Bollywood’s popularity in Pakistan, Dhurandhar has been criticised for its portrayal of Karachi, particularly the Lyari area. Pakistani critics argue the film paints the city as lawless and war-torn, ignoring its cultural diversity and modern reality. Academics and commentators say the film reduces Karachi to stereotypes, misrepresents local history, and inaccurately links local gangs to international geopolitics.
The controversy deepened after a Pakistani political party member approached court over the alleged unauthorised use of imagery related to former prime minister Benazir Bhutto and the portrayal of party leaders as terror sympathisers.
Mixed Reactions Within India
In India, the film has enjoyed commercial success but not without controversy. The family of a decorated Indian army officer filed a legal petition, claiming the film exploits real-life events without consent. Critics have also questioned the blending of fictional storytelling with real news footage, calling it misleading.
A Growing Trend in Bollywood?
Film analysts note that hyper-nationalistic narratives are becoming more common in mainstream Bollywood, often aligning with the political climate. According to critics, such films frequently portray Muslims and neighbouring countries negatively, reinforcing divisions rather than encouraging dialogue.
As Dhurandhar continues to dominate headlines, the debate it has sparked highlights how cinema in South Asia is no longer just entertainment—it has become a powerful political tool shaping public perception on both sides of the border.
